Dr Matthew Boswell

Dr Matthew Boswell

University Academic Fellow

+44(0) 113 343 2025

Summary: Holocaust memory; Holocaust literature and film; the 1994 Rwandan genocide; testimony; culture and atrocity; literature and transgression; global memory culture; digital culture.

Teaching Commitments: Contemporary Literature; Modern Literature; Representing the Holocaust: Transgression and the Taboo.

My research focuses on the cultural memory of the Holocaust and other atrocities. I recently held an AHRC Leadership Fellowship for a project entitled Virtual Holocaust Memory, which considers the changing shape of Holocaust memory in the digital age, and I currently hold an AHRC/EPSRC award for a follow-on project entitled Virtual Holocaust Memoryscapes.  

In my monograph Holocaust Impiety in Literature, Popular Music and Film (2012) I discuss provocative responses to the Holocaust by non-victims, arguing that while such works are often shocking, the value of shock should not be lightly dismissed. Drawing on the philosopher Gillian Rose's criticisms of what she terms 'Holocaust piety' and its claim that the only possible response to the Holocaust is a respectful silence, the book considers how irreverent works of fiction play an important role in shaping our contemporary understanding of the Holocaust and also ourselves.

Other research interests include the 1994 Rwandan genocide, the globalisation of Holocaust memory, and the ways that other traumatic histories are remembered around the world. I am part of the Transnational Holocaust Memory research cluster, which leads an ongoing collaboration with the South African Holocaust and Genocide Foundation. This collaboration has led to a range of knowledge exchange and public engagement activities, including a public event programme at the Johannesburg Holocaust and Genocide Centre entitled Remembering Holocaust and Genocide in the Digital Age.

I collaborate with a wide range of arts and heritage organisations in my work, from Holocaust museums to Opera North. I am a member of the Academic Advisory Board for the National Holocaust Centre and Museum and I have led a number of training events for the Holocaust Educational Trust. I frequently write essays and reviews for non-academic publications, including, most recently, the Los Angeles Review of Books3:AM Magazine and Coney's Loft. I have given interviews about the memory of traumatic histories for Serbian television and radio stations in South Africa and Hong Kong. I am also currently producing a film about artistic responses to the 2010 Haitian earthquake. 

I supervise PhD students working on Holocaust testimony in the post-survivor age; 'postmemory' and digital culture; and the representation of empathy in world literature. I am always happy to discuss new PhD proposals that connect to my research interests. 

Follow me on Twitter: @DrMattBoswell



  • Holocaust Impiety in Literature, Popular Music and Film (London and New York: Palgrave Macmillan, 2012). [Publisher's website]

Refereed journal articles

  • 'Reading Genocide Memorial Sites in Rwanda: Eurocentrism, Sensory Secondary Witnessing and Shame', in a special edition of Mémoires en jeu on 'Dark Tourism', eds. Annette Becker and Charles Forsdick (Paris: Editions Kimé, 2017). [White Rose Repository]
  • 'Downfall: The Nazi Genocide as a Natural Disaster', The Journal of Holocaust Studies: A Journal of Culture and History, in a special issue on 'Representing Perpetrators in Holocaust Literature and Film', eds. Jenni Adams and Sue Vice (Valentine Mitchell), Volume 17, Numbers 2-3, Autumn/Winter 2011, pp. 165-184. [White Rose Repository
  • ''Black Phones': Postmodern Poetics in the Holocaust Poetry of Sylvia Plath', Critical Survey, in a special issue on 'Holocaust Poetry', eds. Antony Rowland and Robert Eaglestone, Volume 20, Number 2, 2008, pp. 53-64. [White Rose Repository]

Book chapters

  • 'Beyond Autobiography: Hybrid Testimony and the Art of Witness', in The Future of Testimony, eds. Rick Crownshaw, Jane Kilby and Antony Rowland (London and New York: Routledge, 2014). [White Rose Repository]
  • 'Holocaust Literature and the Taboo', in The Bloomsbury Companion to Holocaust Literature, ed. Jenni Adams (London: Bloomsbury, 2014). [White Rose Repository]
  • 'Downfall: The Nazi Genocide as a Natural Disaster', reprinted in Representing Perpetrators in Holocaust Literature and Film, eds. Jenni Adams and Sue Vice (London and Portland: Valentine Mitchell, 2012), pp. 147-64. [Amazon
  • 'Reading Holocaust Poetry: Genre, Authority and Identification', The Future of Memory, eds. Rick Crownshaw, Jane Kilby and Antony Rowland (Oxford and New York: Berghahan, 2010), pp.167-179. [White Rose Repository]
  • 'The Black Book: John Berryman's Holocaust Requiem', After Thirty Falls: New Essays on John Berryman, eds. Philip Coleman and Philip McGowan (Amsterdam and New York, Rodopi, 2007), pp.11-27.[White Rose Repository]


  • 'Holocaust Literature' in Oxford Bibliographies in Literary and Critical Theory, ed. Eugene O’Brien (New York: Oxford University Press, 2017). [Oxford Bibliographies


  • Virtual Holocaust Memoryscapes: Scoping the Creation of Immersive, Spatial Archives of the Bergen-Belsen and Neuengamme Memorial Sites (PI, AHRC/EPSRC Research and Partnership Development call for the Next Generation of Immersive Experiences, 2018). 
  • Mobilising Multidirectional Memory to Build More Resilient Communities in South Africa (CI, AHRC Global Challenges Research Fund, 2016). [RCUK website
  • International Postgraduate Internships in Rwanda and South Africa (PI, University of Leeds Footsteps Fund, 2016). 
  • Confronting Traumatic Pasts: Between the Local and the Global (PI, Sadler Seminar Series, 2016). 
  • Virtual Holocaust Memory: From Testimony to Holography (PI, AHRC Leadership Fellowship, 2015). [RCUK website]
  • Transnational Holocaust Memory (PI, World University Network Fund for International Research Collaboration, 2014). [Website]
  • The Future of Holocaust Memory (PI, World University Network Research Mobility Programme, 2013). 

Conferences and invited papers

I have organised a number of major international conferences and events including:

  • Life Stories and Human Rights: A Public Panel with Mark Gevisser (Johannesburg Holocaust and Genocide Centre, 2017).  
  • Remembering the Holocaust and Genocide in the Digital Age (Johannesburg Holocaust and Genocide Centre, 2016). [Website]
  • Transnational Holocaust Memory (University of Leeds, 2015). [Website]
  • The Art of Risk (Opera North, Leeds, 2014). [Website]
  • Slave: Witnessing the Voice through Testimony and Performance (Lowry Theatre, Salford, 2010). 

Keynote and invited papers include:

  • 'Reading Genocide Memorial Sites in Rwanda: Eurocentrism, Sensory Secondary Witnessing and Shame' (Institute for Philosophy and Social Theory/ Centre for Cultural Decontamination, Belgrade, December 2017).
  • 'Virtual Holocaust Perpetrators' (University of East Anglia, July 2017). 
  • 'European Holocaust Memory and the Postcolonial Turn' (Manchester Metropolitan University, May 2017).  
  • 'Holocaust Testimony in the Digital Age' (Lessons and Legacies plenary panel, Claremont College, USA, November 2016; and King's College, London, December 2016). 
  • 'Transnationalism, Cosmopolitanism and the Future of Holocaust Memory' (University of Copenhagen, May 2015).
  • 'Evaluating Impact in the Arts and Humanities' (University of Hong Kong, April 2015).
  • 'Holocaust Literature and the Taboo' (University of Cambridge, February 2014; University of the Witwatersrand, Johannesburg, April 2014; and University of Hong Kong, April 2014).
  • 'Holocaust Impiety in Punk and Post-Punk Music' (Imperial War Museum, March 2009).

Conference papers include: 

  • 'Virtual Holocaust Perpetrators' (American Comparative Literature Association, Utrecht University, July 2017) 
  • '"Machete words, club words": Literary and Theoretical Responses to Rwandan Genocide Memorials, and the Limits of Holocentrism’ (Johannesburg Holocaust and Genocide Centre, September 2016). 
  • 'Downfall: The Nazi Genocide as a Natural Disaster' (European Society for the Study of English (ESSE 11), Bogazici University, Istanbul, Turkey, September 2012).
  • 'Hybrid Testimony' (The Future of Testimony, University of Salford, United Kingdom, August 2011).
  • 'Holocaust Impiety' (Northeast Modern Language Association Convention 2011, New Jersey, United States, April 2011).
  • 'Awful Little Allegories: Holocaust Impiety and Non-victim Fiction' (Why Allegory Now?, University of Manchester, United Kingdom, April 2011).
  • 'Beyond Holocaust Representation: Quentin Tarantino's Inglourious Basterds' (Representing Perpetrators, University of Sheffield, United Kingdom, September 2010).
  • 'Holocaust Impiety in Tim Blake Nelson's The Grey Zone' (European Society for the Study of English (ESSE 10), University of Turin, Italy, August 2010).
  • 'Holocaust Impiety in British Punk and Post-Punk Music' (European Society for the Study of English (ESSE 9), University of Aarhus, Denmark, August 2008). 
  • 'The Black Book: John Berryman's Holocaust Requiem' (The Future of Memory, University of Manchester, United Kingdom, November 2005).