Emeritus Professor Brian Richardson

Emeritus Professor Brian Richardson

Emeritus Professor of Italian Language

Summary: The late Middle Ages and Renaissance; the history of the Italian language; the history of the circulation of texts

Research

I held a Leverhulme Major Research Fellowship from 2005 to 2008, working on the circulation of literature in Renaissance society with particular reference to manuscripts and the spoken or sung word. In 2009 I was co-investigator in a Workshops project, supported by the AHRC, on Scribal Culture in Italy, 1450-1650. I gave the Panizzi lectures for 2012 at the British Library on the topic of Women, Books and Communities in Renaissance Italy (podcasts and slides here). In 2011-15 I was principal investigator of a project, funded by the European Research Council, entitled Oral Culture, Manuscript and Print in Early Modern Italy, 1450-1700. I was elected as a Fellow of the British Academy in 2003.

Books

Articles and essays

  • 'From Scribal Publication to Print Publication: Pietro Bembo's Rime, 1529-1535', Modern Language Review, 95 (2000), 684-95
  • 'The Italian of Renaissance Elites in Italy and Europe', in Multilingualism in Italy Past and Present, ed. by Anna Laura Lepschy and Arturo Tosi (Oxford: Legenda, 2002), pp. 5-23 
  • 'Inscribed Meanings: Authorial Self-Fashioning and Readers' Annotations in Sixteenth-Century Italian Printed Books', in Reading and Literacy in the Middle Ages and the Renaissance, ed. by Ian F. Moulton, Arizona Studies in the Middle Ages and the Renaissance, 8 (Turnhout: Brepols, 2004), pp. 85-104
  • '"Recitato e cantato": The Oral Diffusion of Lyric Poetry in Sixteenth-Century Italy', in Theatre, Opera, and Performance in Italy from the Fifteenth Century to the Present: Essays in Honour of Richard Andrews, ed. by Brian Richardson, Simon Gilson, and Catherine Keen (Leeds: Society for Italian Studies, 2004), pp. 67-82
  • 'Latin and Italian in Contact in some Renaissance Grammars', in Rethinking Languages in Contact: The Case of Italian, ed. by Anna Laura Lepschy and Arturo Tosi (London: Legenda, 2006), pp. 28-41
  • 'La stampa', in Il Rinascimento italiano e l'Europa, vol. II, ed. by Gino Belloni and Riccardo Drusi (Treviso: Fondazione Cassamarca, 2007), pp. 139-55
  • 'The Diffusion of Literature in Renaissance Italy: The Case of Pietro Bembo', in Literary Cultures and the Material Book, ed. by Simon Eliot, Andrew Nash and Ian Willison (London: British Library, 2007), pp. 175-89
  • 'The Concept of a lingua comune in Renaissance Italy', in The Languages of Italy: Histories and Dictionaries, ed. by Anna Laura Lepschy and Arturo Tosi (Ravenna: Longo, 2007), pp. 13-30
  • 'Dalla metà del Quattrocento alla metà del Cinquecento', in Storia della punteggiatura in Europa, ed. by Bice Mortara Garavelli (Bari and Rome: Laterza, 2008), pp. 99-121
  • 'A Scribal Publisher of Political Information: Francesco Marcaldi', Italian Studies, 64 (2009), 296-313
  • 'Autografia e pubblicazione manoscritta nel Rinascimento', in 'Di mano propria': gli autografi dei letterati italiani. Atti del Convegno internazionale di Forlì, 24-27 novembre 2008, ed. by Guido Baldassarri and others (Rome: Salerno Editrice, 2010), pp. 269-85
  • '"Varie maniere di parlare": Aspects of Learning Italian in Renaissance Italy and Britain ', in 'Ciò che potea la lingua nostra': Lectures and Essays in Memory of Clara Florio Cooper, ed. by Vilma De Gasperin (= The Italianist, 30 (2010), Special Supplement), pp. 78-94
  • (ed. with Filippo de Vivo), Scribal Culture in Italy, 1450-1700, Italian Studies, 66.2 (2011)
  • 'A Year in Lorraine: The Imagined Cultural Community of Muzio Manfredi’s Lettere brevissime (1606)', in Intellectual Communities and Partnerships in Italy and Europe: Studies in Honour of Mark Davie, ed. by Danielle Hipkins (Oxford: Peter Lang, 2012), pp. 15-31
  • 'Isabella d’Este and the Social Uses of Books', La Bibliofilìa, 114 (2012), 293-325
  • 'Manuscript, Print, Orality and the Authority of Texts in Renaissance Italy', in Authority in European Book Culture 1400-1600, ed. by Pollie Bromilow (Aldershot: Ashgate, 2013), pp. 15-29
  • 'Gli intermedi del Machiavelli e i madrigali asolani', Quaderni veneti, n.s., 2 (2013), 251-58
  • 'The Textual History of the Decameron', in Boccaccio: A Critical Guide to the Complete Works, ed. by Victoria Kirkham, Michael Sherberg and Janet Levarie Smarr (Chicago: University of Chicago Press , 2014), pp. 41-49
  • 'Dal manoscritto alla stampa: testi canonici e regole del volgare', in Dal manoscritto al web: canali e modalità di trasmissione dell’italiano, ed. by Enrico Garavelli and Elina Suomela-Härmä, 2 vols (Florence: Cesati, 2014), I, 29-41
  • 'Publication', in The Cambridge Companion to the Italian Renaissance, ed. by Michael Wyatt (Cambridge: Cambridge University Press, 2014), pp. 164-78
  • 'The Social Connotations of Singing Verse in Cinquecento Italy', in Oral Culture in Early Modern Italy: Performance, Language, Religion, ed. by Stefano Dall’Aglio, Luca Degl’Innocenti, Brian Richardson, Massimo Rospocher and Chiara Sbordoni (= The Italianist, 34.3 (2014)), pp. 362-79
  • 'Editing Boccaccio', in The Cambridge Companion to Boccaccio, ed. by Guyda Armstrong, Rhiannon Daniels and Stephen Milner (Cambridge: Cambridge University Press, 2015), pp. 187-202
  • '"Optimo humanista et Greco": Aldus Manutius’s Career in Venice in the Eyes of Marin Sanudo', Erasmus Studies, 35.2 (2015), 181-209
  • 'The Creation and Reception of Fortunio’s Regole grammaticali (1516)', The Italianist, 36.3 (2016), 359-74
  • 'Advising on Women's Conduct in Renaissance Paratexts', in Conduct Literature for and about Women in Italy , 1470-1900: Prescribing and Describing Life, ed. by Helena Sanson and Francesco Lucioli (Paris: Classiques Garnier, 2016), pp. 228-41