Professor Duncan Wheeler

Professor Duncan Wheeler

Chair of Spanish Studies

+44 (0)113 343 3514

Summary: Golden Age Drama and Prose Fiction; Hispanic and European cinema(s); Translation; Popular Music; Contemporary Spanish Culture and Politics; Twentieth-Century Spanish Theatre; Gender and Sexuality

Research Interests

Duncan read Spanish and Philosophy at Wadham College, University of Oxford (2000-2004). He continued at Oxford to complete his Masters (2004-2005) at St Catherine´s College, and his doctoral thesis (2005-2009) at Wolfson College. Following a year as stipendiary lecturer at The Queen´s College, he came to Leeds where he was awarded a 2-year Leverhulme Early Career Research Fellowship in 2010; he re-joined the Faculty as a lecturer in 2012, and was promoted to an Associate and then a Full Professorship in 2013 and 2017 respectively. Duncan was particularly delighted to be awarded the Chair just as Spanish entered its centenary year at Leeds, a milestone which will be celebrated in a variety of ways including the University hosting the annual conference of the Associations of Hispanists of Great Britain and Ireland in March 2018. Duncan has a variety of research interests but they tend to be united by a continual preoccupation with the interrelationship between cultural institutions, art, politics and memory in contemporary and Early-Modern Spain.  His research and teaching of theatre led him to being inducted into the Spanish Academy of Stage Arts in September 2016. In addition to supervising individual MA and PhD students, Duncan is a former course-director of the SLCS's Postgraduate Research Training Module; has examined and supervised students from Spain studying for a European doctorate; and has been an invited postgraduate instructor at both the Universidad Carlos III (Madrid) and UCLA (Los Angeles). At the University of Leeds, he welcomes proposals from postgraduate students in the following areas: Golden Age Drama and Prose Fiction; Hispanic and European cinema(s); Translation; Popular Music; Contemporary Spanish Culture and Politics; Twentieth-Century Spanish Theatre; Gender and Sexuality. 

Major Publications

Single-Authored Monographs

Art, Power and Governance: The Cultural Politics of Spain's Transition to Democracy (Manchester: Manchester University Press, 2018)

La puesta en escena del teatro áureo, ayer, hoy y mañana (Kassel: Reichenberger, 2018).  

Golden Age Drama in Contemporary Spain: The Comedia on Page, Stage and Screen (Cardiff: University of Wales Press, 2012).

Translations/Dual-Language Critical Editions

Various Authors, Spanish Songs of the Transition, trans. and intro. Duncan Wheeler (Liverpool: Liverpool University Press, 2018).

Corín Tellado, Thursdays with Leila, trans. Duncan Wheeler, intro. Diana Holmes and Duncan Wheeler, prologue Mario Vargas Llosa (Cambridge: MHRA New Translations, 2016), see and

José Luis Alonso de Santos, Bajarse al moro/Going Down to Morocco, trans. and intro. Duncan Wheeler (Oxford: Oxbow, 2013).

Edited Books/Special Issues

David George, Stuart Green and Duncan Wheeler (2018), Beyond the Text: Sights and Sounds of the Spanish Stage, Special Issue of Hispanic Research Journal.

Duncan Wheeler and Fernando Canet (eds.), (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema (Bristol: Intellect, 2014).

Peer-Reviewed Journal Articles    

 Bringing it all back home? Performance intertextualities in Todo sobre mi madre/All About my Mother (Pedro Almodóvar, 1999), Cinema Journal (2018), forthcoming.  

'The musical in Spain', Hispanic Research Journal (2018), forthcoming.

'Golden Age transvestism on inter(national) stages: La vida es sueño/Life is a Dream in Spain and Don Gil of the Green Breeches in Britain', Shakespeare Bulletin (2018), forthcoming.

´Adaptaciones cinematográficas de los clásicos en el aula´, Anuario Lope de Vega (2018), 260-87.

´Los toreros estrellas del desarrollismo: Manuel Benítez El Cordobés y Sebastián Palomo Linares´, Revista de estudios taurinos, 41 (2017), in press. 

The Generation game: Javier Cercas, Podemos and the (Im)possibility of progressive politics in Spain’, Modern Language Notes, 132.2 (2017), 441-460.

‘All her friends call her Alaska: the cultural politics of locating Olvido Gara in and Beyond Madrid’s Movida’, Journal of Spanish Cultural Studies, 17.4 (2016), 361-383.

‘You’ve got to fight for your right to party? Spanish punk rockers and democratic values’, Popular Music and Society (2016), 1-22.

The (post-)feminist condition: women filmmakers in Spain’, Feminist Media Studies, 16.6 (2016), 1057-1077. 

‘Wanna be in my b(r)and? Live At Leeds festival report’, co-authored with Stuart Green, Popular Music, 35.3 (2016), 418-24.     

‘Las relaciones trilaterales entre la legislación sobre la violencia de género, la pornografía y el cine español’, Secuencias, 42 (2015), available at 

'Translating quotidian humour for the contemporary stage: José Luis Alonso de Santos's La estanquera de Vallecas', Romance Quarterly, 62.4 (2015), 242-255.

'Translation and didactics in the language classroom: the preparation and dissemination of a dual-language critical edition of José Luis Alonso de Santos’ Bajarse al moro/Going down to Morocco', co-authored with Betlem Soler Pardo, The Interpreter and Translator Trainer, 9.1 (2015), 30–49.

'In conversation with Gay Mercader, the man who brought rock'n'roll to Spain', Arizona Journal of Hispanic Cultural Studies, 18 (2014), 181-96.

'The cultural and gender politics of enunciation: locating the singer-songwriter within and beyond male Anglo-American contexts', co-authored with Lucy O'Brien, Journal of World Popular Music, 2 (2014), 228-248.

'Contextualising and contesting José Antonio Maravall's theories of baroque culture from the perspective of modern-day performance', Bulletin of the Comediantes, 65.1 (2013), 15-43.  

'Mirando hacia atrás para seguir adelante: la puesta en escena de la comedia en España, y la creación de un Lope para el siglo XXI', Don Galán, 3 (2013), available at

'At the crossroads of tradition and modernity: Raphael and the politics of popular music in Spain', Journal of European Popular Culture, 4.1 (2013), 55-70.  

'Raphael and Spanish popular song: a master entertainer and/or music for maids’, Arizona Journal of Hispanic Cultural Studies, 16 (2012), 11-30. 

'The representation of domestic violence in Spanish cinema', Modern Language Review, 107.2 (2012), 438-500.

'From the town with more theaters than taxis: Calderón, Lope and Tirso at the 2008 Almagro Festival (part two)', Comedia Performance, 9.1 (2012), 102-142.

'From the town with more theaters than taxis: Calderón, Lope and Tirso at the 2008 Almagro Festival (part one)', Comedia Performance, 8.1 (2011), 151-200.

'All about Almodóvar?: All About My Mother on the London stage', Bulletin of Hispanic Studies, 87.7 (2010), 821-41.

'The representation of domestic violence in popular English-language cinema', New Cinemas (Journal of Contemporary Film), 7.2 (2009), 155-75.

'Godard's list: why Spielberg and Auschwitz are number one', Media History, 15.2 (2009), 185-203.

'Intimate partner abuse in Spain (1975-2006)', Cuestiones de género, 3 (2008), 173-204.

'The performance history of Golden-Age drama in Spain (1939-2006)', Bulletin of the Comediantes, 60.2 (2008), 119-155.

'We are living in a material world and I am a material girl: Diana, Countess of Belflor, materialised on the page, stage and screen', Bulletin of Hispanic Studies, 84.3 (2007), 267-286.  

Book Chapters

´An (Early) Modern classic: Fuente Ovejuna in contemporary Spain´ in The Norton Critical Edition of Golden Age Theater, ed. Barbara Fuchs (New York: W.W. Norton and Company, 2018), forthcoming. 

‘Cervantes on film’ in The Oxford Handbook to Cervantes, ed. Aaron Kahn (Oxford: Oxford University Press, 2017), in press.

‘Musical affect, nostalgia and modernization: foreign soundtracks in twenty-first century Argentine, Chilean and Mexican cinema’ in The Blackwell Companion to Latin American Film, eds. Maria Delgado, Stephen Hart and Randal Johnson (Chichester: Wiley-Blackwell, 2016), 201-216. 

‘The future of nostalgia: re-vindicating Spanish actors and acting in and through cine de barrio’ in Performance and Spanish Film, eds. Dean Allbritton, Alejandro Melero and Tom Whittaker (Manchester: Manchester University Press, 2016), 217-239.

'Mapa teatral del exilio republicano en el Reino Unido' (co-authored with Helena Buffery and Samuel Llano) in El exilio teatral republicano de 1939 en Europa, ed. Mario Martín Gijón (Seville: Renacimiento, 2015), 17-55. 

'Pepe Estruch and the performance of Golden Age drama: International relationships under Franco and democratic theatrical cultures' in Remaking the Comedia: Spanish Classical Theater in Adaptation, eds. Susan Paun de García and Harley Erdman (Woodbridge: Tamesis, 2015), 55-64.  

'Introduction: Spanish films (1992-2012): two decades of cinematic production and critical discourse'; 'Back to the Future: (Re-)packaging Spain’s troublesome past for local and global audiences'; 'Acting and directing in Spain: Historicizing stardom and the author-function'; 'Sex, art and commerce: Penélope Cruz and Isabel Coixet tackle Philip Roth in Elegy (2008)'; 'How to make commercial films now' (with Mercedes Gamero); and 'Round table discussion: Fernando Canet, José Luis Guerín, Isaki Lacuesta and Luis Miñarro' (with Fernando Canet) in (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema, eds. Duncan Wheeler and Fernando Canet (Bristol: Intellect, 2014). 

'También la lluvia/Even the Rain (Iciar Bollaín, 2010): social realism, transnationalism and (neo-)colonialism’ in Spanish Cinema 1978-2000: Auteurism, Politics, Landscape and Memory, eds. Maria M. Delgado and Robin W. Fiddian (Manchester: Manchester University Press, 2013), 239-55.

'Beyond the black legend of Calderón's wife murder-plays: amorous strife, violence and the comedia' in On Wolves and Sheep: Exploring the Expression of Political Thought in Golden Age Spain, ed. Aaron Kahn (Newcastle: Cambridge Scholars Publishing, 2011), 113-146.

'¿La película duende?: María Teresa León, Rafael Alberti and alternative traditions of resurrecting Golden Age drama' in Stages of Exile, ed. Helena Buffery (Bern: Peter Lang, 2011), 71-93.

'A modern-day Fénix?: Lope's cinematic revivals', in A Companion to Lope de Vega, eds. Alexander Samson and Jonathan Thacker, (Woodbridge: Tamesis, 2008), 285-299.

Reviews/Cultural Commentary  

Reviews: Bulletin of the Comediantes; Bulletin of Spanish Studies; Comedia Performance; Estreno; Hispanic Research Journal; London Review of Books; New Cinemas; Revista de libros; Shakespeare Bulletin; Studies in Spanish and Latin American Cinemas; Journal of World Popular Music; Times Literary Supplement.

Regular Contributor: La Revista (British-Spanish Society):

'Crucible: Art, Bulls and Music', The Oxford Magazine, Nought Week, Hilary, 2018: 7-8.

'David Bowie, Art Collector', Ohio Edit, 17 December 2017, available at

'After the vote', London Review of Books, 2 November 2017: 45.

'Discussing Catalonia', Oxford Today, 11 October 2017, available at

‘Diary: death of a bullfighter’, London Review of Books, 13 July 2017: 45.

'Sister Act(s): Catholic school girls rule', European Stages, 9 (2017): available at

'Francis Bacon en el Museo Guggenheim Bilbao', El cuaderno, 22 May 2017, available at

'David Bowie y el arte moderno', Revista de libros, 15 March 2017, available at

‘El diletante inglés: David Bowie en la casa de subastas’, Revista de libros, November 2016, available at

‘In search of lost time: nostalgia, authenticity and the tribute band phenomenon’, The Oxford Magazine, Second Week, Michaelmas, 2016: 13-14. 

Exhibitionism: Los Rollings en un mundo post-Warholiano’, El estado mental, August 2016, available at

‘Letter from Madrid: a conversation with Alfonso Guerra’, Political Quarterly, 87.3 (2016), 312-17.

Bajarse al moro/Going Down in Morocco’ in ’10 great films set in Madrid’, BFI Online, 12 August 2016, available at

‘Lust for life: apoteósico concierto de Iggy Pop en el Royal Albert Hall’, El estado mental, 29 July 2016, available at

‘How the Stones freed Spaniards from Franco’, Newsweek, April 9, available at

‘Exhibitionism: why the Rolling Stones are still the greatest rock and roll brand in the world’, The Conversation, April 5 2016, available at

‘Madrid rock city: the return of AC/DC’, Los Angeles Review of Books, 23 February 2016, available at

‘Bullfighting in Spain: still in the political arena’, co-authored with Lucy Bell, The Huffington Post, 18 December 2015, available at

‘Anatomy of a democracy: Javier Cercas’, The White Review, November 2015, available at

‘Telling tales out of school: impact, literature and the academy’, Review 31, November 2015, available at

‘Sonorama comes of age’, Festival Insights, 11 November 2015, available at

‘EU ruling hardly a victory for democracy or animal rights’, Newsweek, 11 November 2015, available at

‘Goya: the essence and the artifice’, The Times Literary Supplement, 6 November 2015: 19-20.

It was Spain’s national fiesta. Now bullfighting divides its people', The Observer, 25 October 2015: 27, available at 

‘Crónica sentimental del Birmingham de los 80’, El estado mental, 10 August 2015, available at

No bull: celebrity toreros in consumer(ist) Spain’, La Divisa, July/August 2015: 59-67.

‘Rock or bust: ageing, alcohol, and popular music’, co-authored with Gemma Matthewman, Hektoen International: A Journal of Medical Humanities, Winter 2015, available at  

‘Noche en los museos: Exposiciones fotográficas de Blondie, el punk y otras movidas’, El estado mental, 1 March 2015, available at  

‘Verano azul: ¿por qué vamos a los festivales?’, Fronterad, 25 December 2014, available at

‘Report from Madrid’, European Stages, 3 (2014), available at  

‘Julio Iglesias, el embajador universal’, JotDown, August 2014, available at

‘Lo que entendemos por cine español’, Academia: revista de la Academia de Cine, April (2011), 21-23.

‘La presencia del teatro español en la cartelera inglesa durante el siglo XXI’, Contraviento, 8 (2009), 18-21.

‘Bruce Springsteen and Spain’ in For You: Original Stories and Photographs by Bruce Springsteen's Legendary Fans, ed. Lawrence Kirsch (Montreal: Lawrence Kirsch Communications, 2007), 184. 

Keynote Addresses and Invited Talks

'Juncal, ¿la última saga nacional?', Keynote Address, Cinema, TV and Popular Culture in the 1990s (Spain-Latin America) Conference, Universidad Carlos III, Oct 17-19.

'Madrid city nights: La Movida, la Movida and the 21st century musical', Spanish, Portuguese and Latin American Studies Research Seminar, University of Manchester, 6 December 2017.

'La puesta en escena del teatro áureo ayer, hoy y mañana: Pepe Estruch como caso de estudio', Universitat Autònoma de Barcelona, Barcelona, invited lecture, 29 March 2017.

‘The generation game: Podemos, Javier Cercas and the (im)possibility of progressive politics in Spain’, Spanish, Portuguese and Latin American Studies Research Seminar, UCL, 8 February 2017.

‘La recepción de la literatura del Siglo de Oro en la Inglaterra isabelina’, Recepción e interpretación del Quijote (1605-1830) Congreso Internacional, Universidad de Oviedo, Oviedo, 24-25 November 2016.

'El travestismo áureo en los escenarios (inter-)nacionales del Siglo XXI: La vida es sueño en España y Don Gil of the Green Breeches en Gran Bretaña', XXXIII Jornadas de Teatro Clásico de Almería, 21-24 April 2016, see

‘State of the nation? The past, present and future of bullfighting in Spain’, School of Languages, Literature and Cultural Studies Research Seminar, Trinity College, Dublin, 29 March 2016.

'European film in the modern-language classroom', ISMLA Annual Conference, 30 January 2016.  

'Bullfighters, celebrity culture and soft power in 1960s Spain', Institute of Modern Languages Research, Senate House, London, 2 June 2015.

'Traduciendo los clásicos: de Miguel de Cervantes a José Luis Alonso de Santos', Departamento de traducción y interpretación, Universidad de Málaga, 18 May 2015.

'Crónica sentimental de la Birmingham de los años 80', En los ochenta... culturas audiovisuales en los extrarradios de los relatos Research Seminar Series, Universidad Carlos III, Madrid, 13 November 2014.

'Stop making sense: women filmmakers in Spain', University of Liverpool Modern Languages and Cultures Research Seminar, 5 November 2014. 

'Anglo-Spanish literary relationships, then and now', Transnational Networks and Systems in Early Modern Theater Conference, University of Oxford, 23-26 June 2014.

‘The linguistic and cultural challenges of translating nostalgia’, Genre and Memory Joint Workshop, University of Birmingham, 28 September 2013.

‘Television personalities: broadcasting female punks during the Transition’, Women Then and Now in Spanish Theatre, Cinema and Television International Conference, Trinity College, Dublin, 25-27 June 2013.

‘¿Cuéntame cómo pasó? Las relaciones bilaterales entre la legislación sobre la violencia de género y el cine español’, GECA 4: Workshop Internacional de Investigación’, Complutense, Madrid, 15-16 April 2013.

'What the Iranian Shah, Hola magazine and heroin use have to tell us about La Movida and Spain's transition to democracy?', Department of Spanish, Portuguese and Latin American Studies Research Seminar, King’s College, University of London, 16 January 2013.  

'What, if anything, do we know about the censorship of popular music under Franco', Censorship and Cultural Central Symposium, National University of Ireland, Maynooth, 23 May 2012.  

'Mirando hacia atrás para seguir adelante: la puesta en escena de la comedia en España desde 1939, y la creación de un Lope para el siglo XXI', Lope de Vega: Reescrituras desde el siglo XX, CCHS-CSIC, Madrid, 1-2 December 2011.

'Beyond the black legend of Calderón's wife murder-plays: amorous strife, violence and the comedia', Department of Spanish Research Seminar, University of Oxford, 25 January 2011. 

'Golden Age drama in exile', Hispanic Studies Research Seminar, University of Cork, 17 December 2010.

'Ways of performing national classical drama in Spain', Out of The Wings Symposium, University of Oxford, 18-19 March 2010.  

'¿Imágenes violentas?: la representación de la violencia de género en el cine inglés y estadounidense', Public Lecture, Universitat de Valencia, 15 December 2009.

'The ones that got away: Maria Teresa León, La dama duende and "anti-Spanish" cinematic adaptations of Golden Age drama', Study of Hispanic Exile Research Seminar, University of Birmingham, 23 October 2009.

Conference Papers

'Vázquez Montalbán y los quinquis', III Congreso Internacional Manuel Vázquez Montalbán, Universitat Pompeu Fabra, 10-12 December 2015.

'The sights and sounds of nostalgia: The twenty-first century Spanish musical', AHGBI 60th anniversary conference, University of Exeter, 13-15 April 2015. 

'Corín Tellado, celebrity culture and Spain’s transition to democracy', Democracy and the Arts in the Contemporary Hispanic World, University of Birmingham, 25-27 June 2014. 

'The role of Catalan theatre in Spain’s transition to democracy', International Federation for Theatre Research Conference, Barcelona Institut de Teatre, 22-26 July 2013.

'Celebrity punk rockers? Alaska and Mario: A typically Spanish MTV reality show', Europop, Inaugural Conference of the European Popular Culture Association, College of Fashion, University of the Arts, London, 11-13 July 2012. 

'A Catalan in New York: Elegy (Isabel Coixet, 2008) as a case study of Spanish auteur theory', Contemporary Spanish Cinema Conference, New York, 12-16 December 2011.  

'The comedia and the culture of the baroque', Modern Language Association Convention, Los Angeles, 6-9 January 2011.    

Public Engagement

Media Interviews/Citations: ABC, El País, BBC Radio Scotland, The ObserverThe Spectator, Radio 1 Poland, Radio Sputnik, El Norte de Castilla, La Nueva EspañaTimes Higher Education, Radio Marca  

‘What counts as literature? How and why I translated Corín Tellado into English’, University of Oviedo, Book launch, 24 November 2016. See

'In conversation with Marta Sanz', International Writers at Leeds in collaboration with the Instituto Cervantes, University of Leeds, 16 May 2018.

Too little too late or too much too soon: debates surrounding the policing of domestic violence in Spain’, What is to be Done About Violence Against Women?, Policing Research Partnership, University of Liverpool, 14 July 2016.

'No bull: celebrity toreros in consumer(ist) Spain', Club taurino de Londres, 9 April 2015.

'Introductory talk to film screening of Bodas de sangre (Carlos Saura, 1981)',  Opera North, Leeds, 14 February 2015. 

'Introduction to film screenings as part of "Berlanga and Bardem" retrospective', 28th Leeds International Film Festival, Various venues, 5-20 November 2014.

'La voz de los clásicos: recital de la CNTC y encuentro con el público', Leeds Public Library, 23 October 2014.

'Traducción y estudio de la obra de José Luis Alonso de Santos en el extranjero', Curso de Investigación y Creación en la obra de José Luis Alonso de Santos, Urueña (Valladolid), 14-18 July 2014: see

'In conversation with Ángeles González-Sinde', International Writers at Leeds, Leeds Public Library, 18 March 2014, listen to a recording at

'Roundtable discussion with the cast of Don Gil de las calzas verdes', Ustinov Studio, Theatre Royal Bath, 28 November 2013.

'Spanish Book Launch and Presentation of Golden Age Drama in Contemporary Spain: The Comedia on Page Stage and Screen,' Ocho y Medio Bookshop, Madrid, 7 November 2012.

'UK Book Launch and Presentation of Golden Age Drama in Contemporary Spain: The Comedia on Page Stage and Screen', Instituto Cervantes, Manchester, 27 September 2012.  

'Domestic violence in Early Modern Spain', Public Lecture, Instituto Cervantes, Sydney, 16 June 2012.

'Spanish legislation and approaches to domestic violence as a social disease: an example to follow or an error to avoid?', Wakefield District NHS Primary Care Trust, Ongoing Professional Training for Public Health Practitioners, 30 March 2011.

'Introductory talk to screening of Hable con ella', Opera North, Leeds, 14 January 2011. 

'Too much too soon or too little too late: placing new Spanish legislation on gender based violence in context', Public Lecture, University of Oxford Women's Campaign, 9 June 2008.

Conference Organization

Association of Hispanists of Great Britain and Ireland, Annual Conference, University of Leeds, 26-28 March 2018 (Local Organizer)

Contemporary Spanish Screen Media and Responses to Crisis and Aftermath, University of Manchester, 31 March-1 April 2017, (Co-organiser)

Anglo-Catalan Society, Annual Conference, University of Leeds, 11-13 November 2016 (Local Organizer)

Nostalgia and popular culture in post-authoritarian states, IMLR, London, 1 July 2016 (Principal Organizer)

'From Adele to Zeca Afonso: The Singer-Songwriter in Europe', University of Leeds, 13-14 September 2012 (Co-organiser)

External Positions

Editor (Hispanic Studies): Modern Language Review

Series Editor, 'Spanish Golden Age Studies', Peter Lang International Academic Publishers

Trustee: Modern Humanities Research Association

Editorial Advisory Board: 'Spanish and Latin American Series', University of Wales Press; MHRA New Translations; Bulletin of the Comediantes

Subject Editor (Peninsular Spain): The Literary Encyclopedia

Reviews Editor: New Cinemas (Journal of Contemporary Film)

Membership Secretary and Executive Committee Member (2012-2017): Association of Hispanists of Great Britain and Ireland

Visiting Professor/Fellow: Center for 17th- and 18-Century Studies, UCLA (2012-2013); Department of Audio-Visual Communication, Carlos III (Madrid) (2014-15); St Catherine's College, University of Oxford (2015-2016) 

Peer Reviewer: Arbor; Arizona Journal of Hispanic Cultural Studies; Bulletin of Hispanic Studies; Bulletin of Spanish Studies; Comparative Critical Studies; Contemporary Theatre Review; Forum for Modern Language Studies; Hispanic Research Journal; International Journal of Iberian Studies; Journal of European Popular Culture; Journal of Spanish Cultural Studies; Letras hispanas; Letras Peninsulares; New Cinemas; Revista Canadiense de Estudios Hispánicos; Revista de estudios hispánicos.  

Programming Advisor: Leeds International Film Festival; Birds Eye View Film Festival (BFI)

Regular Guest Speaker: The Prince’s Trust Teaching Institute

Reader/Reviewer: Cambridge University Press; IMLR Books; Iberoamericana/Vervuert; Manchester University Press; Oxford University Press; The Leverhulme Trust; MHRA Texts and Dissertations Series

Translator: Royal Shakespeare Company

External Examiner (Undergraduate Programmes): University of Bangor; University of Durham 

External PhD Examiner: Universities of Carlos III; Complutense, Madrid; Universitat Jaume I, Castellò; Oviedo; Valencia; and Polytechnic University of Valencia 

Member: AHRC Research Careers and Training Advisory Group Network

Member: Policing Research Partnership

Jury Member: London Hispanic Theatre Festival

Member: Grupo de Estudios Cervantinos

Founding Member: Últimas Tendencias Escénicas de los clásicos españoles (UTECE) International Research Group

Major Research Projects, Prizes and Grants

European Commission, Horizon 2020, 'Spanish Theatre in the United Kingdom (1982-2019)', Principal Investigator (CI, María Bastianes), (£163,489), 2019-2021 

Economic and Social Research Council, 'Sustaining and Enhancing Research and PGT collaboration in a post-Brexit landscape', Principal Investigator (£1,000), 2017

Spanish Finance Ministry, Research Excellence Awards, ‘Cine y televisión 1989-1995: modernidad y emergencia de la cultura global’, Co-investigator with the Universidad Carlos III, Madrid (£40,000), 2016

British Academy/Leverhulme Small Grant Scheme, ‘Responses of Spanish cinema and audiences to social crisis post-2008’, Co-Investigator with the University of Manchester (£5,000), 2016

University of Leeds Student Education Fellowship (£5,000), 2016

Hispanex Fund for International Collaboration, Spanish Ministry of Culture, Education and Sport (£3,000), 2015. 

LHRI Pump-Priming (£890), 2013 

Special Award for Publication of Golden Age Drama in Contemporary Spain, The Anglo-Spanish Society and Spanish Embassy in London (£500), 2012 

Leverhulme Research Fellowship  (£58,000), 2010-2012

Sir George Labouchere Fund for Spanish Studies (£5,000), 2008-2009

De Osma Studentship, Vice-Chancellor, Oxford University and Instituto de Valencia de Don Juan, Madrid (£3,250), 2008

Abbey-Santander Academic Travel Grant (£500), 2008

Scatcherd European Scholarship (£3,250), 2008

AHRC Doctoral Award (Full - Fees plus maintenance grant), 2006-2008

AHRC Travel Award (£1,500), 2006

Hargreaves-Mawdsley Research Scholarship, Wolfson College (£5,000), 2005-2006

Fieldler Travel Grant, University of Oxford (£300), 2005

AHRB, Research Preparation Masters Award (Full - Fees plus maintenance grant), 2004-2005

Kolkhorst Exhibition, University of Oxford, 2004.

Undergraduate Teaching

SPPO 3050: “Things Can Only Get Better: The Role of the Arts and Cultural Institutions in Spain´s Transition to Democracy (1962-1992)" (Module Co-ordinator)

SPPO 3071: "Contemporary Spain: Politics, Culture and Society after Franco"

SPPO 3420: "Spanish-English Translation"

SPPO 2690/91: "Spanish Theatre and Literature" (Module Co-ordinator)  

SPPO 2100/01: "Issues in Hispanic Cinema(s)" (Module Co-ordinator)

SPPO 1160: "Introduction to the Cultural Production of Spain and Spanish America" (Module Co-ordinator)

MODL 3410: "Contemporary World Literature"

MODL 1150: "Worlds of Literature"

MODL 1050: "Introduction to Audio-Visual Culture" 

Postgraduate Research Supervision

Golden Age Drama and Prose Fiction

Hispanic and European cinema(s)


Popular Music

Contemporary Spanish Culture and Politics

Twentieth-century Spanish Theatre

Gender and Sexuality

School Responsibilities / Affiliations

Director, International Writers in Leeds - see

Convenor, European Popular Music(s) Centre - see

Grants Champion, SLCS

Faculty Peer-Reviewer, Faculty of Arts, Humanities and Cultures

Member, University Digital Approval Group