Senior Lecturer

Barbara Engh

MA, PhD, Minnesota

Publications and Papers, Research Profile

Barbara Engh works with the critical theories of the Frankfurt school and poststructuralism, and is especially interested in matters concerning sound, music, noise, and the oral/aural technologies. Recent publications include an essay on music and critique in the work of Roland Barthes that appears in Musicology and Difference: Gender and Sexuality in Music Scholarship, and 'Adorno and the Sirens: Tele-phono-graphic Bodies,' in Embodied Voices: Representing Female Vocality In Western Culture.  She is currently working on a book titled After 'His Master's Voice': Post-phonographic Aurality.

Tel

+44 (0)113 343 5195

Fax

+44 (0)113 245 1628

Email

b.engh@leeds.ac.uk

Post

School of Fine Art, History of Art & Cultural Studies,
Old Mining Building,
University of Leeds,
Leeds,
West Yorkshire,
LS2 9JT
UK