2nd - 6th July 2008
9:00
Paczkowski: Bach’s Peasant Cantata
Jeanneret: The Hands of Music: The Transmission of Roman Cantata MSS
Barker: The Toccatas of MS Chigi Q IV 25
9:30
Crawford: J.S. Bach’s ‘Cantata Burlesque’
Murata: Composer’s Holographs among the Barberini Music Manuscripts
Vaz: The Performance of 17th-Century Iberian Batallas
10:00
Ledbetter: When Notation is too Exact to be Exact: J.S. Bach’s Suggestive Anomalies
Morelli: Towards a Material History of the Cantata
da Silva: Avondano’s Lisbon Minuets
10:30
Quinn: Between Tonal Theory and Historical Sentiment: Schenker’s Reception of J.S. Bach’s Chorale Harmonisations
Ruffatti: French Sources of Roman Cantatas
d'Alvarenga: Some Preliminaires on Editing Seixas' Keyboard Sonatas
Break
11:30
Fehleisen: If God is for Us: Handel’s Musical-Rhetorical Summation of Messiah
Bacciagaluppi: A Reappraisal of Pergolesi's Masses
12:00
Schwalbach: 18th-Century Coffee House Culture: A New Context for Bach’s Music?
Curkovic: The Interdependence of Music and Drama in certain Handel Operas
Ammetto: The Double Violin Concerto in Germany in Vivaldi’s Time
12:30
Suominen: Composer-Performer relationships in Handel’s Guilio Cesare
Lingas: Imagery and Ideals of Violin Playing in Rome, c.1700
Lunch
2:00
Leech: Another Lady Nevil’s Book
Churnside: A Poetic Approach to Bolognese Sacred Cantatas
Aquilina: Sacred Music and the Liturgy in Malta
2:30
Wollston: Oxford Sources of Restoration Violin Band Music
Freitas: Metaphors in Music: Two Musical Topoi in mid-Seicento Rome
Hochradner: ‘Venite populi’: Approaches to a Motet for Double Choir Composed for Corpus Christi Day
3:00
Woolley: An Unknown William Croft Keyboard Autograph
Borowiecka: Musical Rhetoric in the Stabat Mater
3:30
Holman: The Sale Catalogue of Gottfried Finger’s Library