School of Music
Student Profiles
The School balances musical studies of performance, composition & critical & historical studies, with developing areas such as popular music, world musics & music technology.
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| Name |
Area of Research |
Email contact |
| Amthor, Yvonne | 'Wunderkinder': Musical prodigies in late eighteenth- and nineteenth-century European concert life | musya@ leeds.ac.uk |
| Black, Mary | 'Singing is like pole vaulting': the use and effect of imagery in choral conducting. | blackm@ hope.ac.uk |
| Boutwood, Duncan [Stanley Burton Scholarship] |
The Musical Criticism of Herbert Thompson |
mus5djb@ leeds.ac.uk |
| Burrett, Vicky | Portfolio of Original Compositions | vicky.burrett@ btinternet.com |
| Collyer, Peter [AHRC] |
'Leipzig School' editors and editions of string music c.1840-1930 | petercollyer@ ntlworld.com |
| Daniel, Jenny [AHRC] |
Opera as adaptation: the synergies between source, libretto and musical realization | culcheth123@ hotmail.com |
| de Goede, Thérèse | Seventeenth Century Continuo Playing | th.degoede@ planet.nl |
| del Amo, Francisco | Anthony Poole and English Catholic viol-playing in Seventeenth Century Europe | patxi@ passemezzo.com |
| Devetzoglou, Ilias | Twentieth-Century performance practice elements and their effect in Ravel's late works for strings | traxevc2002@ yahoo.com |
| Felix, James | Fado: Authenticity in Urban Folk Music |
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| Ferguson, Adam [AHRC] |
Portfolio of original compositions with written commentary | afergler@ googlemail.com |
| Hadden, Nancy | Playing the Transverse Flute c. 1500-1640: History, Music and Method | nancy@ nhadden.freeserve .co.uk |
| Hawkins, Roddy [AHRC] |
(mis)understanding complexity: disentangling the strands of group and individual identity in New Music by British composers from Transit to Toop (1977-88). | roddyhawkins@ yahoo.co.uk |
| Haworth, Catherine | Music and film noir | c.m.haworth@ leeds.ac.uk |
| Hitchins, Ray | The role of the audio engineer in the development of Jamaican popular music | rayhitchins@ hotmail.com |
| Horne, Nigel | Portfolio of Original musical compositions and written commentary | musnjh@ leeds.ac.uk |
| Ireland, David [University Research Scholarship] |
The concept of incongruence in relation to the film soundtrack and its impact on perceived emotional meaning | |
| Katsiroumpa, Georgia | Dion Arivas Atticos | |
| Lauke, Karen | Portfolio of original compositions with written commentary | karen.lauke@ googlemail.com |
| Lent, Kathryn [Fully-Funded International Research Scholarship] |
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| Lidster, Lizzie [University Research Scholarship] |
Queer Folk Music and Shared Senses of Attachment for UK Lesbians | musedl@ leeds.ac.uk |
| Longbottom, Adam | Audio-Visual Composition Portfolio | mus0ajl@ leeds.ac.uk |
| Lu, Xiao Ping | Machine-readable symbolic music notation representation for the Guqin | scsxpl@ leeds.ac.uk |
| Lucas, Caroline [Stanley Burton Scholarship] |
Portfolio of original compositions with written commentary | carolinelucas@ hotmail.co.uk |
| Mather, Maureen [AHRC] |
An investigation into the use of music to support non-musical learning goals in mainstream learning support settings | |
| Messina, Marcello | Portfolio of original compositions with written commentary | marcellomessina@ mail.ru |
| Miller, Sue | Flute improvisation in cuban charanga performance, with a specific focus on the work of Richard Egües and Orquesta Aragón | s.m.miller01@ leeds.ac.uk |
| Mozafari, Parmis [Overseas Research Scholarship] |
Negotiating a Position: The Changing Role of Iranian Women Musicians after the 1979 Revolution | parmis_m@ hotmail.com |
| Ordoulidis, Nikos | The recordings of Vasilis Tsitsanis 1936-1983 | ordoul@ hotmail.com |
| Pickard, Martin | J. N. von Poissl and the early 19th-Century quest for a typical German Opera | musmjp@ leeds.ac.uk |
| Redhead, Lauren [AHRC] |
Portfolio of original compositions with written commentary | laurenredhead@ gmail.com |
| Rees, Lucy [University Research Scholarship] |
Film music of the socialist era in Mongolia: an ethnomusicological approach | mclmr@ leeds.ac.uk |
| Sapiro, Diane | 'You Hum It, I'll Play It!'. An investigation into the underlying psychological attributes of playing the piano by ear | |
| Sapiro, Ian | Scoring the Score: The Role of the Orchestrator in Contemporary Film Scoring | i.p.sapiro@ leeds.ac.uk |
| Simmons, Emilee | REM and alternative music in the 1990s | emgyrl@ gmail.com |
| Strickson, Adam [AHRC] |
The librettist's adaptation of source in collaboration with the composer | pcajs@ leeds.ac.uk |
| Sutcliffe, Danielle | Topics in Fin-de-siécle Viennese Musical Culture | daniellesutcliffe@ yahoo.co.uk |
| Till, Sophie | Performance practice of Beethoven's Violin Sonatas | patsoph@ msn.com |
| Tobutt, Jonathan | Exploring and re-evaluating the impact and influence of the British virtuoso oboist, Leon Goossens (1896-1988)from a contemporary and historical performance perspective |
mc08jat@ leeds.ac.uk |
| Wallcraft, Connie | Theorising the Film Musical | mus1clw@ leeds.ac.uk |
| Walters, Michael | A Contrarian Application of Huron's Theory of Musical Expectation through Composition | walters7302@ aol.com |
| Wong, Christina | Notes from the underground: an exploration of the music: practices of Toronto's subway music | cm.wong@ utoronto.ca |
| Yeganegy, Roxanne | The Politics of Participation: Burning Man and British Festival Culture |
roxy.music@ hotmail.com |
