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Postgraduate Research Students
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Name |
Area of Research |
E-mail contact |
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Amthor, Yvonne |
"Wunderkinder" - Musical
prodigies in late eighteenth and nineteenth century European
concert life |
musya@leeds.ac.uk |
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Belina, Anastasia |
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musab@leeds.ac.uk |
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de Bezenac, Christophe |
Improvising Ambiguity |
chdebezenac@lycos.com |
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Bourne, Matthew |
Expanding the Language of Improvisation
through Interdisciplinary Interaction |
musmjb@leeds.ac.uk |
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Burgis, Stephanie |
The Sorceress and the Despot: Images
of the Middle
East on the Viennese Operatic Stage, 1765-1790 |
stephanieburgis@yahoo.com
mussb@leeds.ac.uk |
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Byde, Michael |
William Walton |
mus9mgjb@leeds.ac.uk |
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Cummings-Knight, Geoff |
Portfolio of original compositions
with written commentary |
geoffandjennie@msn.com
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Cunningham, John |
The politics of music at the Court
of Charles I (c. 1625 - 1642) |
johnpcunningham@eircom.net
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Davies, Ian |
Life and Work of Highmore Skeats (1757-1831) |
imdavies8@aol.com |
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del Amo, Francisco |
Viol-playing English Catholics living
abroad during the 17th century |
patxi@passemezzo.co.uk
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Drage, Sally |
Performance Practice of English Provincial
Church Music c.1700-1850 |
sally.drage@aclway.co.uk |
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Ellis-Geiger,
Robert |
Trends in Contemporary Hollywood Film
Scoring: Language and Technology |
Robert@MusicSound.net |
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Fang, Heng |
The twentieth-century revolution in string playing
as reflected in the changing performing practices of viola players
from Joseph Joachim to the present day: a practice-based study |
mushf@leeds.ac.uk |
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Gallimore, Ian |
Categorization and reception in music |
fin2idg@leeds.ac.uk |
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Glarou, Elli |
Marcel Dupré: an aesthetical
and philosophical approach to the interpretation of his organ
works demonstrated through performance
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elliglarou@yahoo.com |
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Gourlay, James |
Vox Profundis: The tuba as a solo
instrument in Europe. Developments in repertoire and performance
practice since 1954. |
James.Gourlay@rncm.ac.uk |
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Hadden, Nancy |
The History and Playing Techniques
of the Renaissance Flute |
nancy@nhadden.freeserve.co.uk |
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Hamilton, Ellen |
Music Printing in London, 1588-1641 |
ehamilton5@cfl.rr.com |
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Hardie, Sally |
The Nurturing of Muscular Freedom
in the Early Development of Pianists |
shardie1@btinternet.com |
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Haworth, Catherine |
Music and film noir |
mus9cmh@leeds.ac.uk |
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Hay, Karen |
Portfolio of original compositions with written
commentary |
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Hitchins, Ray |
Jamaican Riddim |
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Horne, Nigel |
Composition |
njh@bandsman.co.uk |
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Kang, Min-Jung |
The Violin in England in the 17th
Century |
musmk@leeds.ac.uk |
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Kato, Koichi |
Faust |
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Kennaway, George |
Bach's solo cello suites in the 19th
century: editions, performance practices and reception |
mus1gwk@leeds.ac.uk |
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Leighton, Judi |
Madame Vestris and the Royal Olympic
Theatre |
jl58@tutor.open.ac.uk |
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Longbottom, Adam |
Electroacoustic Music and Soundscape
Composition |
mus0ajl@leeds.ac.uk |
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Lu, Xiao Ping |
Machine-readable symbolic music notation
representation for the Guqin |
scsxpl@leeds.ac.uk |
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MacKenzie, John |
The guitar music of Stephen Dodgson |
musjlm@leeds.ac.uk |
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Mawson, David |
Pianism and Piano Music of Sir William
Sterndale Bennett |
musdgm@leeds.ac.uk |
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Milestone, Rachel |
'A Grand Incarnation of Progress': The role of
the town hall in the spread of choral music in Britain in the
nineteenth century |
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Miller, Sue |
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suem@charangadelnorte.co.uk |
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Ono, Mariko |
John Ireland 's piano music and related
repertoire |
mus2mo@leeds.ac.uk |
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Perkins, Dale |
Composition (electro-acoustic) |
musdjp@leeds.ac.uk |
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Pickard, Martin |
German Opera 1814-1830 |
musmjp@leeds.ac.uk |
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Piatak, Richard |
Avant-garde film music |
musrdp@leeds.ac.uk |
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Popat, Kris |
Portfolio of Original Compositions:
Embodying a new framework for notation in composition, performance
and technology |
kris@ultralab.net |
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Pound, Eleri |
Composition |
jhs1eap@leeds.ac.uk |
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Sage, Richard |
Automated music visualisation system |
rich@pieceofcheese.org |
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Sapiro, Ian |
The Film Music of Trevor Jones |
sapiromusic@hotmail.com |
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Simmons, Emilee |
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emgyrl@gmail.com |
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Smith, Fiona |
Small recorders and flutes in English orchestral
music in the 18th Century |
fiona_eila_smith@hotmail.com |
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Wallcraft, Connie |
Film - Musicals |
mus1clw@leeds.ac.uk |
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Warner, Simon |
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Watkins, Martin |
Composition |
mnwatkins68@aol.com |
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Wong, Christina |
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Woolley, Andrew |
English harpsichord music (c.1660-
c. 1720) and music teaching
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mus0alw@leeds.ac.uk |
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Recent Research
Awards |
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Name |
Area of Research |
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Asmussen, Robert |
Musicology |
PhD |
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Casswell, Nicholas |
Composition |
PhD |
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Peres Da Costa, Neal |
Performance Practice |
PhD |
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Fadnes, Petter |
Improvisational Architecture |
PhD |
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Fitzgerald, Rosemary |
Acoustic properties of oboe |
PhD |
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Fligg, David |
Composition |
PhD |
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Foster, Robert |
Composition |
MPhil |
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Kaufman, Sarah |
Hullah and the tonic sol-fa movement |
MPhil |
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Lo, Chau-Yee |
The 20th century harpsichord and its
repertoire |
PhD |
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Marrington, Mark |
Extra-musical Influences and Musical
Style in the Works of Denis ApIvor |
PhD |
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Mascarenhas, Domingos |
Perceptions of Japan in opera |
PhD |
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McClelland, Clive |
18th-Century 'Ombra' music |
PhD |
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Pipa, Luis |
The Piano Music of Jose Vianna da Motta (1868-1948)
and related repertoire |
PhD |
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Robertson, Michael |
The Consort Suite in the German-Speaking Lands,
1660-1705 |
PhD |
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Rodosthenous, George |
Composition |
PhD |
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Royle, Ann |
The Life and Career of Sir Henry Rowley Bishop |
PhD |
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Sage, Richard |
Music Imaging and Data Representation |
MA research |
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Sapiro, Ian |
Composition |
MPhil |
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Stirling, Stuart |
Composition |
PhD |
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Tsougaraki, Louisa |
Spiritual conflict in Mahler |
PhD |
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Vincent, Carl |
Composition |
PhD |
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Ward, Michael |
Composition |
PhD |
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Ward, Victoria |
The Relationship Between Music Analysis and the
Instrumental Teacher |
PhD |
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Watson, Martin |
Composition |
PhD |
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Whyton, Tony |
Composition |
PhD |
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Wood, Philip |
Composition |
PhD |
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