+44 (0)113 343 3495
Summary: Nineteenth and early twentieth-century French literature; comparative literature; the fin de siècle; dilettantism and cosmopolitanism.
Director of French (Subject Leader)
Subject Leader for Comparative Literature:
Director of the Centre for World Literatures:
My first degree was in French and German at Royal Holloway, University of London, which included a year working as an assistant in Strasbourg. After this I spent a year as a DAAD-funded visiting student at the University of Augsburg, followed by a MA in Comparative Literature at the University of East Anglia. I then took a PGCE at the University of Exeter and spent a year teaching French and German at various schools in London and Surrey. After this I returned to UEA to study for a PhD in Comparative Literature, during and after which I taught French there part-time. Before joining the Department at Leeds in 2007 I held two one-year Lectureships in French, at the National University of Ireland, Galway and at the University of York.
I currently teach on the following modules: Resistance and Desire: Introduction to French Studies (Level 1); The Pleasures of French Poetry (Level 2); Reception, Transmission, Translation: The Global Circulation of Literature (Level 2) ; Contemporary World Literature (Level 3). I also teach on the school-wide Level 1 cornerstone module Worlds of Literature, which is a core module of the BA in English and Comparative Literature. I oversee the final-year projects in Comparative Literature and supervise projects on a variety of topics.
My research interests encompass two overlapping areas. The first is nineteenth- and early twentieth-century French and comparative literature, with particular emphases on cultural exchange, the reception of fin-de-siècle literature, and the concepts of dilettantism and cosmopolitanism. This research has led to publications on Baudelaire, Bourget, Laforgue, Rimbaud, Rodenbach, Henry James, Thomas Mann and Oscar Wilde. I am currently working on the transnational cultural field in the nineteenth century, which is linked to my membership of Writing 1900, an international and cross-disciplinary research network:
My second area of research is informed by my wider interest in English, French and German literature from a comparative perspective, stretching from Montaigne to W. G. Sebald. This includes my first book, Dilettantism and its Values: From Weimar Classicism to the Fin de Siècle (Legenda, 2006), and an ongoing interest in digression, experimentation and narratology. In 2011 I co-edited with Dr Jo Catling (UEA) a volume of essays on W. G. Sebald, entitled Saturn's Moons: W. G. Sebald - A Handbook (Legenda).
I am on the Executive Committee of the British Comparative Literature Association:
and one of the General Editors of its journal Comparative Critical Studies, published by Edinburgh University Press:
I am also on the Executive Committee of the European Society of Comparative Literature:
At Leeds I am a member of the Literary Studies Research Group in the School of Modern Languages and Cultures:
and one of the founding organisers of International Writers at Leeds, a programme of visiting writers in partnership with Leeds Central Library:
I am interested in supervising research on the following areas: French and comparative fin-de-siècle literature, culture and thought, cosmopolitanism, cultural exchange, reception and translation during the late nineteenth- and early twentieth-century; different conceptions of dilettantism; comparative topics, particularly with a focus on literature in French and German; world literature.
Other Capitals of the Nineteenth Century: An Alternative Mapping of Literary and Cultural Space, ed. by Richard Hibbitt (New York: Palgrave Macmillan, 2017)
Saturn's Moons: W. G. Sebald - A Handbook, ed. by Jo Catling and Richard Hibbitt (Oxford: Legenda, 2011)http://www.mhra.org.uk/cgi-bin/legenda/legenda.pl?catalogue=b9781906540029
Oysters, Nightingales and Cooking-Pots: Selected Poetry and Prose of Tristan Corbière, trans. by Christopher Pilling, ed. by Richard Hibbitt and Katherine Lunn-Rockliffe (Leeds, Sheffield and York: White Rose University Press, forthcoming 2018)
Comparative Critical Studies, special edition on Fin-de-siècle cosmopolitanism, edited by Stefano Evangelista and Richard Hibbitt, 10.2 (2013)
Comparative Critical Studies, special online edition on Possible Worlds, edited by Marina Warner with Richard Hibbitt, 9.3 (2012)
Articles, book chapters and other publications
Nationalism and Cosmopolitanism in Nineteenth-Century France, in Transnational French Studies, edited by Charles Forsdick and Claire Launchbury (Liverpool: Liverpool University Press, forthcoming 2018)
Baudelaire and the Dilettante Work Ethic, in The Labour of Literature in Britain and France, 1830-1930: Authorial Work Ethics, edited by Marcus Waithe and Claire White (London: Palgrave, forthcoming 2018)
The Symbolist Novel as Transnational Capital, in Other Capitals of the Nineteenth Century: An Alternative Mapping of Literary and Cultural Space, ed. by Richard Hibbitt (London: Palgrave, 2017), pp. 247-65
W. G. Sebald et le roman: « cest pas vraiment mon style », in W. G. Sebald: littérature et éthique documentaire, ed. by Muriel Pic and Jürgen Ritte (Paris: Presses universitaires de la Sorbonne, 2017), pp. 63-78
Bruges as Symbolic Capital, in Literary Communities in the Late-Nineteenth and Early-Twentieth Centuries: Space, Place and Identity, special issue of Forum on Modern Language Studies, edited by Philip Bullock, Stefano Evangelista and Gesa Stedman, 2017 (53.1), 349-59
Baudelaire, Baumgarten and Sensate Knowledge, in Aisthesis und Noesis. Zwei Erkenntnisformen vom 18. Jahrhundert bis zur Gegenwart, edited by Hans Adler and Lynn Wolff (Munich: Wilhelm Fink, 2013), pp. 85-96
Inevitable Plots in the Symbolist Novel: Georges Rodenbachs Bruges-la-morte, in Finding the Plot: On the Importance of Storytelling in Popular Fictions, edited by Diana Holmes and David Platten (Newcastle-on-Tyne: Cambridge Scholars Press, 2013), pp. 218-33
Two Responses to Paul Bourget: Henry James and Thomas Mann, Comparative Critical Studies, special edition on Fin-de-siècle cosmopolitanism, edited by Stefano Evangelista and Richard Hibbitt, 10.2 (2013), 303-16:
Oscar Wilde and la critique impressionniste, Cahiers victoriens et édouardiens, no. 77 (Spring 2013), edited by Laurent Bury and Luc Bouvard, online: http://cve.revues.org/331
Entente asymétrique?: Franco-British Literary Reception in 1908, in Channel Packets: Franco-British Cultural Exchanges, 1880-1940, ed. by Andrew Radford and Victoria Reid (Basingstoke: Palgrave Macmillan, 2012), pp. 34-51
'Reflections on the Fruitful Error', in Textual Wanderings: The Theory and Practice of Narrative Digression, ed. by Rhian Atkin (Oxford: Legenda, 2011), pp. 27-36
'The Artist as Aesthete: The French Creation of Oscar Wilde', in The Reception of Oscar Wilde in Europe, ed. by Stefano Evangelista (London : Continuum, 2010), pp. 65-79
'Paul Bourget's critique of fin-de-siècle cosmopolitanism', in The Cause of Cosmopolitanism: Dispositions, Models, Transformations, ed. by Laura Rascaroli and Patrick O'Donovan (Oxford : Peter Lang, 2010), pp. 173-87
'Le roman d'analyse et le romanesque: la représentation de l'héritage psychologique chez Paul Bourget', in Romanesque et Histoire, ed. by Christophe Reffait (Collection Romanesques, vol. III ; Paris: Encrage, 2008), pp. 175-89
'Oscar Wilde et Paul Bourget : Deux vies en parallèle', rue des beaux-arts, 17 (Nov. / Dec. 2008), ed. Danielle Guérin (online): http://www.oscholars.com/RBA/seventeen/17.13/rencontres.htm
'Dilettantism and Irony: Jules Laforgue and C. M. Wieland', Forum For Modern Language Studies, 44.3 (July 2007), 290-300
'"This savage parade": Recent translations of Rimbaud', The Cambridge Quarterly, 36.1 (February 2007), 71-82 (review article)