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Summary: Holocaust memory; Holocaust literature and film; the 1994 Rwandan genocide; testimony; culture and atrocity; literature and transgression; global memory culture; digital culture.
Teaching Commitments: Contemporary Literature; Modern Literature; Representing the Holocaust: Transgression and the Taboo.
My research focuses on the representation of the Holocaust and other atrocities across a range of media and art forms. I recently held an AHRC Leadership Fellowship for a project entitled 'Virtual Holocaust Memory', which considers the changing shape of Holocaust memory in the digital age.
In my monograph Holocaust Impiety in Literature, Popular Music and Film (Palgrave Macmillan, 2012) I discuss provocative responses to the Holocaust by non-victims, arguing that while such works are often shocking, the value of shock should not be lightly dismissed. Drawing on the philosopher Gillian Rose's criticisms of what she terms 'Holocaust piety' and its claim that the only possible response to the Holocaust is a respectful silence, the book considers how irreverent works of fiction play an important role in shaping our contemporary understanding of the Holocaust and also ourselves.
Other research interests include the 1994 Rwandan genocide, the globalisation of Holocaust memory, and the ways in which difficult pasts are remembered around the world. I am part of the Transnational Holocaust Memory research cluster, which leads an ongoing collaboration with the South African Holocaust and Genocide Foundation. In our work we consider the relationship between the Holocaust and traumatic histories such as apartheid. This collaboration has led to a range of knowledge exchange and public engagement activities, including a touring exhibition on coming to terms with difficult pasts and a public event programme at the Johannesburg Holocaust and Genocide Centre entitled Remembering Holocaust and Genocide in the Digital Age.
I am an enthusiastic champion of public engagement and collaborate with a range of arts and heritage organisations in my work, from Holocaust museums to Opera North. I am a member of the Academic Advisory Board for the National Holocaust Centre and Museum and the Editorial Board of the journal Studies in Testimony.
This semester I am organising a Sadler Seminar Series entitled 'Confronting Traumatic Pasts' with speakers including Professor Jacqueline Rose and Professor Astrid Erll. Details are available on the Leeds Humanities Research Institute website.
Follow me on Twitter: @DrMattBoswell
Holocaust Impiety in Literature, Popular Music and Film (London and New York: Palgrave Macmillan, 2012). [Publisher's website]
Refereed journal articles
'Reading Genocide Memorial Sites in Rwanda: Eurocentrism, Sensory Secondary Witnessing and Shame', in a special edition of Mémoires en jeu on 'Dark Tourism', eds. Annette Becker and Charles Forsdick (Paris: Editions Kimé, 2017).
'Downfall: The Nazi Genocide as a Natural Disaster', The Journal of Holocaust Studies: A Journal of Culture and History, in a special issue on 'Representing Perpetrators in Holocaust Literature and Film', eds. Jenni Adams and Sue Vice (Valentine Mitchell), Volume 17, Numbers 2-3, Autumn/Winter 2011, pp. 165-184. [White Rose Repository]
''Black Phones': Postmodern Poetics in the Holocaust Poetry of Sylvia Plath', Critical Survey, in a special issue on 'Holocaust Poetry', eds. Antony Rowland and Robert Eaglestone, Volume 20, Number 2, 2008, pp. 53-64. [White Rose Repository]
'Beyond Autobiography: Hybrid Testimony and the Art of Witness', in The Future of Testimony, eds. Rick Crownshaw, Jane Kilby and Antony Rowland (London and New York: Routledge, 2014). [White Rose Repository]
'Holocaust Literature and the Taboo', in The Bloomsbury Companion to Holocaust Literature, ed. Jenni Adams (London: Bloomsbury, 2014).
[White Rose Repository]
'Downfall: The Nazi Genocide as a Natural Disaster', reprinted in Representing Perpetrators in Holocaust Literature and Film, eds. Jenni Adams and Sue Vice (London and Portland: Valentine Mitchell, 2012), pp. 147-64. [Amazon]
'Reading Holocaust Poetry: Genre, Authority and Identification', The Future of Memory, eds. Rick Crownshaw, Jane Kilby and Antony Rowland (Oxford and New York: Berghahan, 2010), pp.167-179. [White Rose Repository]
'The Black Book: John Berryman's Holocaust Requiem', After Thirty Falls: New Essays on John Berryman, eds. Philip Coleman and Philip McGowan (Amsterdam and New York, Rodopi, 2007), pp.11-27.[White Rose Repository]
'Holocaust Literature' in Oxford Bibliographies in Literary and Critical Theory, ed. Eugene OBrien (New York: Oxford University Press, forthcoming).
Mobilising Multidirectional Memory to Build More Resilient Communities in South Africa (CI, AHRC Global Challenges Research Fund, 2016). [Website]
'International Postgraduate Internships in Rwanda and South Africa' (PI, University of Leeds Footsteps Fund, 2016).
'Confronting Traumatic Pasts: Between the Local and the Global' (PI, Sadler Seminar Series, 2016).
'Virtual Holocaust Memory: From Testimony to Holography' (PI, AHRC Leadership Fellowship, 2015). [Website]
'Transnational Holocaust Memory (PI, World University Network Fund for International Research Collaboration, 2014). [Website]
The Future of Holocaust Memory (PI, World University Network Research Mobility Programme, 2013). [Website]
Conferences and invited papers
I have organised two major international conferences:
Remembering the Holocaust and Genocide in the Digital Age (Johannesburg Holocaust and Genocide Centre, 2016).
Transnational Holocaust Memory (University of Leeds, 2015).
Conference papers include:
'Holocaust Testimony in the Digital Age' (King's College, London, December 2016).
'Holocaust Testimony in the Digital Age' (Lessons and Legacies plenary panel, Claremont College, USA, November 2016).
'"Machete words, club words": Literary and Theoretical Responses to Rwandan Genocide Memorials, and the Limits of Holocentrism (Johannesburg Holocaust and Genocide Centre, September 2016).
'Transnationalism, Cosmopolitanism and the Future of Holocaust Memory' (University of Copenhagen, May 2015). [Conference website]
'Evaluating Impact in the Arts and Humanities' (University of Hong Kong, April 2015). [Watch video]
'Holocaust Literature and the Taboo' (University of Cambridge, February 2014; University of the Witwatersrand, Johannesburg, April 2014; and University of Hong Kong, April 2014).
'Downfall: The Nazi Genocide as a Natural Disaster' (European Society for the Study of English (ESSE 11), Bogazici University, Istanbul, Turkey, September 2012).
'Hybrid Testimony' (The Future of Testimony, University of Salford, United Kingdom, August 2011).
'Holocaust Impiety' (Northeast Modern Language Association Convention 2011, New Jersey, United States, April 2011).
'Awful Little Allegories: Holocaust Impiety and Non-victim Fiction' (Why Allegory Now?, University of Manchester, United Kingdom, April 2011).
'Beyond Holocaust Representation: Quentin Tarantino's Inglourious Basterds' (Representing Perpetrators, University of Sheffield, United Kingdom, September 2010).
'Holocaust Impiety in Tim Blake Nelson's The Grey Zone' (European Society for the Study of English (ESSE 10), University of Turin, Italy, August 2010).
'Holocaust Impiety in Punk and Post-Punk Music' (Post-war Responses to the Holocaust, Imperial War Musuem (London), United Kingdom, March 2009).
'Holocaust Impiety in British Punk and Post-Punk Music' (European Society for the Study of English (ESSE 9), University of Aarhus, Denmark, August 2008).
'The Black Book: John Berryman's Holocaust Requiem' (The Future of Memory, University of Manchester, United Kingdom, November 2005).